Happyhorse 1.1 Image To Video
Happyhorse 1.1 Image To Video is available in the Business API catalog.
Examples
representative generations · starting points to seed the playground
A person in a white robe wading knee-deep into a still grey sea holding an open umbrella, overcast and dreamy. A single clean full-frame fine-art fashion photograph — not a magazine cover, not a poster, not an ad. Soft muted slightly-desaturated palette, soft diffused lighting, soft lines, lower contrast holding gentle colour, subtle light film-grain texture, slightly dreamy and ethereal mood, refined, creative, witty and eccentric, beautifully composed with negative space. The frame shows ONLY the photographed scene: no text, no letters, no words, no title, no masthead, no logo, no wordmark, no brand name, no barcode, no watermark, no caption, no typography anywhere. Wide 16:9 horizontal composition. Bring it to life with cinematic motion. Camera: the camera flies into the scene and sweeps around the subject in a graceful 180-to-360 degree orbit, elegant and precise. Impressive, well-directed cinematic motion with real depth and life — a living film scene, not a moving still. Soft muted slightly-desaturated editorial palette, soft lighting, subtle film grain, refined, dreamy, premium, highly detailed.
A woman lying across the hood of a pale vintage car in a desert, arm over her eyes, hazy heat, editorial calm. A single clean full-frame fine-art fashion photograph — not a magazine cover, not a poster, not an ad. Soft muted slightly-desaturated palette, soft diffused lighting, soft lines, lower contrast holding gentle colour, subtle light film-grain texture, slightly dreamy and ethereal mood, refined, creative, witty and eccentric, beautifully composed with negative space. The frame shows ONLY the photographed scene: no text, no letters, no words, no title, no masthead, no logo, no wordmark, no brand name, no barcode, no watermark, no caption, no typography anywhere. Wide 16:9 horizontal composition. Bring it to life with cinematic motion. Camera: a fast tracking shot gliding right alongside the subject, dynamic parallax and depth. Impressive, well-directed cinematic motion with real depth and life — a living film scene, not a moving still. Soft muted slightly-desaturated editorial palette, soft lighting, subtle film grain, refined, dreamy, premium, highly detailed.
The canopy overhead shifts so the hard-edged patches of golden sunlight crawl and shimmer poetically across her face — sliding over her cheekbone, catching her eyelashes, flaring briefly right across her eyes. She blinks slowly. Then her expression opens into curiosity: her brows lift a fraction and she looks directly into the lens. She raises one hand into frame, pushes a leafy branch aside from in front of her face, and leans in closer toward the camera, the patches of light sliding across her features as she moves. Extreme close-up, natural daylight, shallow depth of field, single continuous shot.
Violent rotor downwash batters her: her long dark hair whips wildly across her face and her black satin skirt snaps and cracks in the wind, yet she holds a cool, unbothered expression and refuses to react. The camera pushes in steadily and locks onto her face until her eyes dominate the frame — fierce, steady, staring straight down the lens. BOTH HANDS STAY WHERE THEY ARE; she never waves and never lifts a hand. She says, out loud in ENGLISH: "Thanks for the ride. Bye." The delivery is completely NATURAL and CONVERSATIONAL — casual, dry, thrown away like she is talking to a friend, with a faint smirk at one corner of her mouth. NOT performed, NOT dramatic, NOT shouted, no announcer voice. Her lips are precisely synced to the words. The VOICE IS THE LOUDEST ELEMENT IN THE MIX — close, dry and intimate, sitting clearly ABOVE the rotor noise, which stays quiet in the background. Immediately after she finishes speaking she lets go of the skid and her body drops away, falling out of the bottom of the frame and leaving only the helicopter and empty sky. Hard midday sun, high-gloss advertising look, single continuous shot.
Per-model pricing
Transparent, usage-based rates for every Alibaba model.
Happyhorse 1.1 Image To Video
Video
Image to VideoCurrent
Reference to Video
Text to Video
Happyhorse 1.0
Video
Image to Video
Reference to Video
Text to Video
Video to Video