Wan 3.0 Prime
Up to 5x faster iteration of Wan 3.0. Animate a still, or steer the shot with a first and last frame.
alibaba/wan3.0-video-prime/image-to-video
Examples
representative generations · starting points to seed the playground
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Continue this exact still life as a 10-second film in THREE distinct shots with hard cuts between them, keeping the same tangerine enamel plate, pale blue linen tablecloth, silver knife and fork, and the coiled ivory silk scarf served as a portion. It is silk fabric, never food. SHOT 1 (0.0-3.5s) — hold the overhead frame and push in very slowly. The silk breathes and settles a little under its own weight, one loose fold relaxing, the rolled hem shifting a few millimetres. The linen tablecloth stirs faintly. Nothing else moves. CUT. SHOT 2 (3.5-6.5s) — extreme macro, the camera gliding slowly left to right across the coils of silk. The sheen travels over the weave, the frayed selvedge and stitched hem pass through frame, the enamel rim throws a soft highlight. CUT. SHOT 3 (6.5-10.0s) — wider overhead again. A hand enters from the right, picks up the fork and lifts one end of the silk, drawing a single coil slowly up and off the plate so the fabric unwinds and drapes over the rim onto the tablecloth. The hand withdraws. The frame settles. AUDIO (native, diegetic only): the quiet room tone of an empty dining room, a faint hollow air-handling hum, the soft slither and rustle of silk against enamel, one clear light chime of the fork touching the plate rim, a distant muffled murmur of a room two doors away. No music, no voices, no narration. Look: match the still exactly — soft, fully diffused even light, no hard or sharp-edged shadows, shadows soft but present with texture held inside them, low-to-moderate contrast, colours true with no cast or stylized tint, the one complementary pairing of pale blue linen against the deep tangerine enamel. Natural restrained grade, slightly creamy, light natural film grain. Camera moves are slow, smooth and deliberate on a fluid head — no handheld shake, no whip pans, no zoom punches, no lens distortion. Deadpan and entirely straight-faced. No people beyond the one hand in shot 3, no text, no lettering, no logos, no watermark.
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