Ideogram 4.5
Ideogram 4.5 editing from up to five images with an optional mask, priced per image by quality.
ideogram/ideogram-4.5/image-to-image
Examples
representative generations · starting points to seed the playground
Keep the photograph exactly as it is — same man asleep in the deckchair, paddling pool, pink and cream tiles, light and colour. Overlay huge thin pure-blue (#0000FF) grotesk numerals on the right half of the frame, stacked on four lines, reading "51°30'26 / .12"N / 0°07'39 / .87"W", large enough to run nearly top to bottom, passing over the man and the chair. On the left edge add a narrow line of small pure-blue (#0000FF) sans text rotated 90 degrees, reading bottom to top: "Recorded lying down · Mixed by the sun · Mastered by nobody · Pika, 2026". A small pure-blue outlined circle in each bottom corner. Flat, crisp, print-clean type; the person, deckchair and paddling pool stay clearly visible behind it.
Keep the photograph exactly as it is — same woman in profile, painted sky, clouds, yellow-and-blue birds, bird earring, light and colour. Add one large word in a playful handwritten script made of polished liquid chrome, 3D and reflective, reading "daydreams" (spelled d-a-y-d-r-e-a-m-s). It floats horizontally in the open sky on the LEFT-HAND side of the frame, among the birds, sitting just below the level of her chin. Its right end stops in open sky with a clear gap before her lips, chin and neck; it never touches or overlaps her. The chrome is solid and opaque, with a bulbous tube thickness, reflecting the pale blue sky and soft clouds, and it passes in front of any birds it crosses. It sits naturally in the soft light of the scene.
The FIRST image is the photograph to edit: keep it exactly as it is — same people, pose, set, framing, light, colour and grade; do not relight, recolour or retouch it. The SECOND image is a typography reference only: borrow its type treatment and layout logic, never its photo, subject or colours. Add huge ultra-condensed bold white sans-serif type on three lines, "SIT / ANY / WAY", filling the height of the frame behind and around the woman, the letters passing behind her and the chair so she stays fully in front and her face is uncovered. Graphics are crisp and print-clean, sized with generous margins, and their colour is taken from the photo's own palette so the frame keeps one soft field and one vivid note; never neon.
The FIRST image is the photograph to edit: keep it exactly as it is — same people, pose, set, framing, light, colour and grade; do not relight, recolour or retouch it. The SECOND image is a typography reference only: borrow its type treatment and layout logic, never its photo, subject or colours. Add a huge bold geometric sans-serif word "Psst." in soft butter yellow spanning the frame, set so it sits behind the edge of the curtain: the peeking faces and the curtain fold overlap it, and the faces stay fully visible. Small rotated yellow text on the right edge: "Opening night / any minute now". Graphics are crisp and print-clean, sized with generous margins, and their colour is taken from the photo's own palette so the frame keeps one soft field and one vivid note; never neon.
The FIRST image is the photograph to edit: keep the people, pose, framing, light, colour and grade exactly as they are. The SECOND image is a reference for the lettering treatment only, never its subject or colours. Tuft large cream-coloured letters into the rust carpet pile in the open floor area, reading "WIPE YOUR FEET" on one line, the letters made of the same carpet pile at the same height, like a custom doormat woven into the floor. The letters are real physical objects photographed in the scene, with correct perspective, contact shadows and weight. Clean, complete, correctly formed letterforms, each letter whole and unbroken, spelling the word exactly once, left to right, in the correct order.