Kling 4.0 (Image to Video)
Animate from a first frame with optional middle and end keyframes, up to 30 seconds.
kling/kling-4.0/image-to-video
Examples
representative generations · starting points to seed the playground
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A multi-shot sequence of three shots with hard cuts, continuing from the first frame. Shot 1 (0-4s): low dolly push forward between the woman's legs in cream shorts and purple rubber boots, rack focus from the boots to the background; she steps aside out of frame. Shot 2 (4-7s): handheld medium close-up of the woman in the blue gingham blouse with the big white collar, wind whipping her hair; she turns from the horizon and looks straight into the lens. Shot 3 (7-10s): high wide drone shot rising above the windswept field of feathery grass, both women small in the waving grass. Sounds: strong wind through tall grass, rubber boots squeaking, skylarks, distant tractor. Every shot keeps the exact look of the first frame: same people, faces, wardrobe, colours, soft diffused light and 35mm film grain; real photographic texture, anatomy correct, no text or logos. The camera is never locked off. SOUND: natural, realistic on-set sound effects only - real room tone and the actual sounds of the actions - NO music, no score. SPEED IS CRITICAL: everything moves at normal real-time speed, like 24fps footage played back at 24fps - natural motion, NO slow motion.
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A multi-shot sequence of three shots with hard cuts, continuing from the first frame. Shot 1 (0-4s): overhead gimbal glide arcing around the bed - the orange corn snake slithers up the pale blue linen duvet and pushes its head under the white pillow, its body sliding in after it. Shot 2 (4-7s): low close-up at mattress level on the far side of the pillow, handheld - the pillow fabric bulges and ripples as the snake moves beneath it. Shot 3 (7-10s): crash zoom into an extreme close-up - the snake's head pokes out from under the pillow edge, tongue flicking. Sounds: scales sliding on linen, pillow rustle, quiet bedroom room tone with faint birds outside. Every shot keeps the exact look of the first frame: same people, faces, wardrobe, colours, soft diffused light and 35mm film grain; real photographic texture, anatomy correct, no text or logos. The camera is never locked off. SOUND: natural, realistic on-set sound effects only - real room tone and the actual sounds of the actions - NO music, no score. SPEED IS CRITICAL: everything moves at normal real-time speed, like 24fps footage played back at 24fps - natural motion, NO slow motion.
00:00 / 00:00
A multi-shot sequence of three shots with hard cuts, continuing from the first frame. The man in the white shirt in the right foreground stays standing completely still and does NOT walk forward. The man in the apricot suit is NOT chewing or putting anything in his mouth - he holds a small spoon just above his soft-boiled egg in its egg cup, his mouth closed. Shot 1 (0-4s): an energetic fast zoom and dolly rushing straight down the length of the long white banquet table, past the rows of wine glasses, landing on a medium shot beside the man in the apricot suit. Shot 2 (4-7s): medium shot, gimbal arc - a chef in a white chef's jacket standing beside him sets down a silver dish and lifts the gleaming silver cloche, revealing a second single soft-boiled egg in an egg cup on a white plate. Shot 3 (7-10s): tight close-up on the man's face with a creeping push-in - he looks from the new egg up to the chef, brow furrowed, eyes narrowed, completely puzzled and confused, spoon frozen in his hand, mouth closed. SOUND: natural, realistic on-set sound effects only - a whoosh of air on the zoom, wine glasses ringing softly, the cloche lid lifting with a metal chime, porcelain clink, wind on the glasshouse panes - NO music, no score. Every shot keeps the exact look of the first frame: same people, faces, wardrobe, colours, soft diffused light and 35mm film grain; real photographic texture, anatomy correct, no text or logos. The camera is never locked off. SPEED IS CRITICAL: everything moves at normal real-time speed, like 24fps footage played back at 24fps - natural motion, NO slow motion.