Muse Image
Agentic image generation and editing that searches the web for real references before it renders.
meta/muse-image-1.0/text-to-image
Examples
representative generations · starting points to seed the playground
Create an original high-fashion poster in true landscape 4:3. Low-angle model in pale mint draped sports couture against a saturated blue sky and narrow green hill. A dark forest-green ribbon loops dynamically around the body in three large curves, with crisp white monospaced text following the ribbon. Render exactly and only: MAKE ROOM FOR WONDER. Repeat the phrase naturally along the ribbon, spelled correctly. Bold graphic movement, hard daylight softened by film grain, editorial magazine energy, tactile fabric, clean negative space. No logos, no watermark.
Create an original surreal still life in a true landscape 4:3 composition: a single glossy tangerine balanced inside an oversized translucent ice-blue bow made of molded glass, on a warm coral tabletop. Use lateral negative space and a strong asymmetric editorial arrangement. Soft vibrant complementary color, precise shadows, dimensional diffused studio light, low-to-moderate contrast, subtle analog grain, creamy finish, witty but grounded. Premium photographic realism, no text, no logo, no watermark.
An arthouse film-poster. Scene: a man in an oatmeal wool cocoon coat waits alone at an empty rural bus stop in gentle dappled shade, small and off-center, soft morning haze over green fields behind him. Overlaid bold typography: title 'SEVEN A.M.', a short poem in small type, and a barcode. a cinematic 35mm film still — elevated editorial in the spirit of high-end fashion campaigns crossed with arthouse cinema. It reads like a luxury in-between moment lifted from a film, implying a larger story — someone just left, just arrived, or is just out of frame. A lived-in moment with atmosphere and narrative, never a sterile studio; bold confident minimalism and generous negative space, but always a real sense of place, light and time of day. Natural available light — soft, diffused, gentle dappled shade, soft-edged shadows only, gentle falloff; no harsh or hard-edged shadows, no flash. Colour rich but controlled and filmic, not punchy or digital — analog, shot on 35mm film stock, real depth and richness, a cinematic colour grade; not oversaturated and not desaturated, leaning rich. Palette of pastels and naturals — powder blue, sage green, blush, terracotta, cream, oatmeal, buttery yellow, dove grey — reading full, deep and well-exposed like film, never washed out, pale or flat. Contrast from figure-ground separation in tone and hue; no clipped highlights or pure blacks, extremes velvety and slightly muted, mid-tones rich. Authentic warm 35mm film grain over the whole image, tactile and cinematic, never AI-clean; real surface detail — leather grain, fabric weave and sheen, stone pores, skin. Mood: contemplative, sensual, nostalgic, cinematic — a poised, crafted film still, no gimmicky staged objects. Dynamic composition, the subject off-center. Designed as an editorial art poster with bold confident display typography, all text legible and correctly spelled. No visible brand logos.
An intimate editorial film-poster. Scene: an extreme close view, a hand resting on a bare shoulder over cream linen, blush skin and fabric weave in tactile 35mm detail, soft window light, off-center with negative space. Overlaid a single large lowercase serif word across the frame: 'held', plus small text and a barcode. a cinematic 35mm film still — elevated editorial in the spirit of high-end fashion campaigns crossed with arthouse cinema. It reads like a luxury in-between moment lifted from a film, implying a larger story — someone just left, just arrived, or is just out of frame. A lived-in moment with atmosphere and narrative, never a sterile studio; bold confident minimalism and generous negative space, but always a real sense of place, light and time of day. Natural available light — soft, diffused, gentle dappled shade, soft-edged shadows only, gentle falloff; no harsh or hard-edged shadows, no flash. Colour rich but controlled and filmic, not punchy or digital — analog, shot on 35mm film stock, real depth and richness, a cinematic colour grade; not oversaturated and not desaturated, leaning rich. Palette of pastels and naturals — powder blue, sage green, blush, terracotta, cream, oatmeal, buttery yellow, dove grey — reading full, deep and well-exposed like film, never washed out, pale or flat. Contrast from figure-ground separation in tone and hue; no clipped highlights or pure blacks, extremes velvety and slightly muted, mid-tones rich. Authentic warm 35mm film grain over the whole image, tactile and cinematic, never AI-clean; real surface detail — leather grain, fabric weave and sheen, stone pores, skin. Mood: contemplative, sensual, nostalgic, cinematic — a poised, crafted film still, no gimmicky staged objects. Dynamic composition, the subject off-center. Designed as an editorial art poster with bold confident display typography, all text legible and correctly spelled. No visible brand logos.
“image ratio 4:3. High-fashion studio editorial photograph of enormous inflated sculptural letters spelling exactly “MAKE IT REAL”, stacked loosely across a pale powder-blue studio floor. Each letter is made from glossy cherry-red inflatable vinyl, with realistic seams, subtle wrinkles, compression and reflections. A model in a minimal butter-yellow tailored suit casually sits between the letters, making the typography feel monumental in scale. The complete phrase must be clearly legible and spelled exactly: MAKE IT REAL. Clean composition, generous negative space, soft diffused dimensional studio lighting, controlled red-yellow-blue palette, restrained saturation, subtle analog film grain, creamy low-to-moderate contrast, photorealistic materials, sophisticated playful editorial photography. No additional text.”