GPT Image 2.5 Sunburst
GPT Image 2.5 tuned for editing precision.
openai/gpt-image-2.5-sunburst/text-to-image
Examples
representative generations · starting points to seed the playground
ONE SINGLE full-bleed photograph filling the entire frame — not a grid, not a collage, no panels. Extreme close-up shot from water level, the camera lens almost touching the surface of a still swimming pool. One invented man has surfaced with only the top of his head above the waterline: his eyes, brows and the bridge of his nose are clear of the water, his nose and mouth still submerged. He wears a glossy vermilion-red rubber swim cap, taut and slightly creased, beaded with a few drops. His eyes glance off to the right of frame, deadpan, not at the camera. Natural skin with visible freckles and pores. Below the waterline his face and the red cap break into a long soft reflection, dissolved into fine horizontal ripples that run down to the bottom of the frame. The pool water fills the entire frame edge to edge, a calm pale ice-blue plane with no horizon, no sky, no pool edge and no background — only water. The head sits on the centre-right third with generous empty water to the left. Colour: the large field of pale ice-blue water against the one deep saturated vermilion of the cap. His skin is the single secondary note, warm against the cool blue. Lighting: soft and fully diffused as though through an enormous overhead softbox — no visible sun, no hard shadows, no specular hotspots — but dimensional rather than flat, with a gentle key from the upper left, a soft luminous falloff across the water and open shadows that hold their texture. Grade: natural and restrained. Low-to-moderate contrast, subtle fine grain, a slightly creamy finish, texture held in the shadows, colour true. Soft but vibrant, never oversaturated, never dull or greyed. No sharpening, no crisp haloed edges, no blotchy or mottled skin. Deadpan, entirely straight-faced, quietly witty. The man is an entirely fictional invented individual. No text, no logos, no watermark
ONE SINGLE full-bleed photograph filling the entire frame — not a grid, not a collage, no panels. A high elevated view looking down onto two identical outdoor hard tennis courts lying side by side, both courts complete within the frame, their nets running horizontally across the picture and the far baselines near the top edge. A narrow strip of surround separates the two courts; between them, on that strip, stand two green metal ball baskets heaped with tennis balls, a folded white towel and a kit bag beside each. Loose yellow tennis balls are scattered across both courts and the surround. A doubles match is in play on each court — eight players in total, one pair on each side of each net, spread out in ready position, knees bent, rackets up, seen from above. COLOUR: the court surfaces are a deep petrol blue, rich and properly dark, well beyond pastel; the surrounding apron is a soft pale sage green. Deep petrol-blue courts as the field against the pale sage surround. The painted lines are clean chalk white, the tennis balls their natural yellow-green. WARDROBE — four doubles teams, both players of a pair dressed identically: 1. LEFT COURT, far side above the net: BOTH players in bold black-and-white zebra-stripe tops — the woman in a zebra-stripe sleeveless top and white tennis skirt, the man in a matching zebra-stripe shirt and white shorts. Neither wears a plain white or cream top; the striping is strong and clearly visible from above. 2. LEFT COURT, near side below the net: both in warm ivory cream. 3. RIGHT COURT, far side above the net: both in deep maroon. 4. RIGHT COURT, near side below the net: both in bright chartreuse. Shoes and socks are white throughout. Every player is anatomically correct and complete: one head, exactly two arms and two hands with five fingers each, exactly two legs, natural joints and proportions, one racket held in one hand. LIGHTING: soft and fully diffused as though through a very large softbox — no hard edges, no visible sun, no harsh specular hotspots — but dimensional rather than flat. A gentle key from the upper left lays a soft luminous gradient across the courts from lit to shaded, each player casts a long soft-edged shadow on the surface, the net posts and ball baskets carry gentle soft shadows, and the court picks up a low raking sheen. Open luminous shadows that keep their texture. No crushed blacks. GRADE: natural and restrained — low-to-moderate contrast, subtle fine grain, a slightly creamy finish, texture held in the shadows, colour true. Soft but vibrant, never oversaturated, never neon, never dull or greyed. No sharpening, no haloed edges. Composition structured and clean, the two courts squarely framed with generous negative space. Deadpan, entirely straight-faced. All players are entirely fictional invented individuals. No text, no logos, no watermark.